The first lady’s political goals, high-stakes clothes fittings and hints that she and Donald still have sex are just some of the highlights from Brett Ratner’s documentary

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Melania’s appears an entirely airless existence, in which she glides solo about gilt corridors in silence, David Lynch-style, observed by tight-lipped heavies. All her staff dress in deference to her, mostly in black, but sometimes – as in the case of her interior designer – in a matching camel-coloured three-piece suit. Candidates interviewing for assistant roles have also got the memo, lining up in a sea of monochrome, with buttery hair and prominent cross necklaces.

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